Posted on December 17, 2016 by Erick Rios
Scherezade Garcia is a New Yorker born in Santo Domingo, Dominican Republic. When her work came into our workshop it fascinated us with the themes and versatility. As a multidisciplinary visual artist of her artwork often centers around the history and results of colonialism. Currently, she is represented by Lyle O. Reitzel Gallery.
Yvette floating a Scherezade Garcia piece using Japanese paper and wheat paste.
After admiring her work, the next step was floating it. We floated Scherezade's work using Japanese paper and wheat paste and chose hardwood moldings to frame the art.
The large canvas we framed using our reclaimed wood floater frame.
For the canvas above, we used a special framing technique. Using a black floater frame we floated her canvas then stacked a reclaimed wood frame on top of the floater. This adds an element of dimension and space for the viewer.
Scherezade's work is distinctive because of the collage of different materials she uses as well the use of gold pigmentation that resembles fire. She uses symbols like Mickey Mouse intertwined with tropical weather themes and cloudy pigments. To learn more about Scherezade and her multifaceted artwork, you can check out her website.
A piece by Scherezade Garcia featuring tropical and western themes.
Posted on November 26, 2016 by Erick Rios
Luis Cruz Azaceta is a Cuban visual artist with a diverse career spanning over 40 years. He fearlessly experiments with his art, often working on several series at a time. Besides experimentation, change is another theme that is prevalent throughout his work. Recently, we had the pleasure of stretching Azaceta’s canvases for his upcoming solo show at the Lyle O’Reitzel Gallery in the Lower East Side. This will be his first solo show in New York in five years.
Erick and Lyle O. Reitzel with a Luis Cruz Azaceta canvas before it is stretched.
Miguel and Alexis with the canvas after being stretched over its custom stretcher.
The concept behind this show is “Swimming to Havana”, an idea he conceptualized in 2009. Although he left Havana when he was 18 years old to live and work in the United States, Cuba has always been on his mind. A subject that has consistently remained on the forefront of his art is the Balseros Cubanos. These balseros escaped their stringent political conditions by risking their life to leave for Florida. The idea of “Swimming to Havana” represents the unlikelihood of the idea for a Cuban-American. To properly showcase his art, we built custom heavy duty stretchers and stretched the canvases for his large format pieces. We framed the smaller ones with our maple Rivington hardwood frames and floated the artwork using Japanese paper and wheat paste. With these archival methods, the buyers of Azaceta's pieces will be able to enjoy the art knowing that it has been custom framed to a museum standard.
A completed Azaceta piece custom framed using our Rivington hardwoods.
Azaceta’s work is often characterized by vivid colors and contrast as well as a deeper political message. He had his first solo show in 1975, and since then has covered a number of social themes including the AIDS epidemic, loneliness in urban environments, and the conditions of oppression caused by government policies. He currently lives and works in New Orleans, however he will be present at the opening of his solo show on November 5, at the Lyle O’Reitzel Gallery. Further information about Luis and his artwork can be found on his website, and for more details about the show check here.
Yvette with a completed Azaceta piece that was floated using Japanese paper and wheat paste.
Subscribe to our newsletter and always be the first to hear about what is happening.